Saturday, September 09, 2017

CFM celebrates the genius of Walter Becker 2/20/1950 - 9/3/2017



Walter Becker, one of two vital ribs to the mastery of one of the greatest rocknroll bands, Steely Dan, in the 70's has left us. But his music and unique flare of merging genres of music styles in the most favorable, and memorable way, will live on. Thank you for your passion and work.









Friday, July 14, 2017

Liu Xiaobo - Final Statement

Liu Xiaobo
I Have No Enemies:
My Final Statement

Nobel Lecture in Absentia, December 10, 2010

Statement of December 23, 2009

(Based on a translation by J. Latourelle)


In the course of my life, for more than half a century, June 1989 was the major turning point. Up to that point, I was a member of the first class to enter university when college entrance examinations were reinstated following the Cultural Revolution (Class of ‘'77). From BA to MA and on to PhD, my academic career was all smooth sailing. Upon receiving my degrees, I stayed on to teach at Beijing NormalUniversity. As a teacher, I was well received by the students. At the same time, I was a public intellectual, writing articles and books that created quite a stir during the 1980s, frequently receiving invitations to give talks around the country, and going abroad as a visiting scholar upon invitation from Europe and America. What I demanded of myself was this: whether as a person or as a writer, I would lead a life of honesty, responsibility, and dignity. After that, because I had returned from the U.S. to take part in the 1989 Movement, I was thrown into prison for "the crime of counter‑revolutionary propaganda and incitement." I also lost my beloved lectern and could no longer publish essays or give talks in China. Merely for publishing different political views and taking part in a peaceful democracy movement, a teacher lost his lectern, a writer lost his right to publish, and a public intellectual lost the opportunity to give talks publicly. This is a tragedy, both for me personally and for a China that has already seen thirty years of Reform and Opening Up.

When I think about it, my most dramatic experiences after June Fourth have been, surprisingly, associated with courts: My two opportunities to address the public have both been provided by trial sessions at the Beijing Municipal Intermediate People's Court, once in January 1991, and again today. Although the crimes I have been charged with on the two occasions are different in name, their real substance is basically the same - both are speech crimes.

Twenty years have passed, but the ghosts of June Fourth have not yet been laid to rest. Upon release from Qincheng Prison in 1991, I, who had been led onto the path of political dissent by the psychological chains of June Fourth, lost the right to speak publicly in my own country and could only speak through the foreign media. Because of this, I was subjected to year‑round monitoring, kept under residential surveillance (May 1995 to January 1996) and sent to Reeducation‑Through‑Labor (October 1996 to October 1999). And now I have been once again shoved into the dock by the enemy mentality of the regime. But I still want to say to this regime, which is depriving me of my freedom, that I stand by the convictions I expressed in my "June Second Hunger Strike Declaration" twenty years ago ‑ I have no enemies and no hatred. None of the police who monitored, arrested, and interrogated me, none of the prosecutors who indicted me, and none of the judges who judged me are my enemies. Although there is no way I can accept your monitoring, arrests, indictments, and verdicts, I respect your professions and your integrity, including those of the two prosecutors, Zhang Rongge and Pan Xueqing, who are now bringing charges against me on behalf of the prosecution. During interrogation on December 3, I could sense your respect and your good faith.

Hatred can rot away at a person's intelligence and conscience. Enemy mentality will poison the spirit of a nation, incite cruel mortal struggles, destroy a society's tolerance and humanity, and hinder a nation's progress toward freedom and democracy. That is why I hope to be able to transcend my personal experiences as I look upon our nation's development and social change, to counter the regime's hostility with utmost goodwill, and to dispel hatred with love.

Everyone knows that it was Reform and Opening Up that brought about our country's development and social change. In my view, Reform and Opening Up began with the abandonment of the "using class struggle as guiding principle" government policy of the Mao era and, in its place, a commitment to economic development and social harmony. The process of abandoning the "philosophy of struggle" was also a process of gradual weakening of the enemy mentality and elimination of the psychology of hatred, and a process of squeezing out the "wolf's milk" that had seeped into human nature. It was this process that provided a relaxed climate, at home and abroad, for Reform and Opening Up, gentle and humane grounds for restoring mutual affection among people and peaceful coexistence among those with different interests and values, thereby providing encouragement in keeping with humanity for the bursting forth of creativity and the restoration of compassion among our countrymen. One could say that relinquishing the "anti‑imperialist and anti‑revisionist" stance in foreign relations and "class struggle" at home has been the basic premise that has enabled Reform and Opening Up to continue to this very day. The market trend in the economy, the diversification of culture, and the gradual shift in social order toward the rule of law have all benefitted from the weakening of the “enemy mentality." Even in the political arena, where progress is slowest, the weakening of the enemy mentality has led to an ever‑growing tolerance for social pluralism on the part of the regime and substantial decrease in the force of persecution of political dissidents, and the official designation of the 1989 Movement has also been changed from "turmoil and riot" to "political disturbance." The weakening of the enemy mentality has paved the way for the regime to gradually accept the universality of human rights. In [1997 and] 1998 the Chinese government made a commitment to sign two major United Nations international human rights covenants, signaling China's acceptance of universal human rights standards. In 2004, the National People's Congress (NPC) amended the Constitution, writing into the Constitution for the first time that "the state respects and guarantees human rights," signaling that human rights have already become one of the fundamental principles of China's rule of law. At the same time, the current regime puts forth the ideas of “putting people first" and "Creating a harmonious society," signaling progress in the CPC's concept of rule.

I have also been able to feel this progress on the macro level through my own personal experience since my arrest.

Although I continue to maintain that I am innocent and that the charges against me are unconstitutional, during the one plus year since I have lost my freedom, I have been locked up at two different locations and gone through four pretrial police interrogators, three prosecutors, and two judges, but in handling my case, they have not been disrespectful, overstepped time limitations, or tried to force a confession. Their manner has been moderate and reasonable; moreover, they have often shown goodwill. On June 23, I was moved from a location where I was kept under residential surveillance to the Beijing Municipal Public Security Bureau's No. 1 Detention Center, known as "Beikan." During my six months at Beikan, I saw improvements in prison management.

In 1996, I spent time at the old Beikan (located at Banbuqiao). Compared to the old Beikan of more than a decade ago, the present Beikan is a huge improvement, both in terms of the "hard­ware" ‑ the facilities ‑ and the "software" ‑ the management. In particular, the humane management pioneered by the new Beikan, based on respect for the rights an integrity of detainees, has brought flexible management to bear on every aspect of the behavior of the correctional staff, and has found expression in the "comforting broadcasts," Repentance magazine, and music before meals, on waking and at bedtime. This style of management allows detainees to experience a sense of dignity and warmth, and stirs their consciousness in maintaining prison order and opposing the bullies among inmates. Not only has it provided a humane living environment for detainees, it has also greatly improved the environment for their litigation to take place and their state of mind. I've had close contact with correctional officer Liu Zheng, who has been in charge of me in my cell, and his respect and care for detainees could be seen in every detail of his work, permeating his every word and deed, and giving one a warm feeling. It was perhaps my good fortune to have gotten to know this sincere, honest, conscien­tious, and kind correctional officer during my time at Beikan.

It is precisely because of such convictions and personal experience that I firmly believe that China's political progress will not stop, and I, filled with optimism, look forward to the advent of a future free China. For there is no force that can put an end to the human quest for freedom, and China will in the end become.a nation ruled by law, where human rights reign supreme. I also hope that this sort of progress can be reflected in this trial as I await the impartial ruling of the collegial bench ‑ a ruling that will withstand the test of history.

If I may be permitted to say so, the most fortunate experience of these past twenty years has been the selfless love I have received from my wife, Liu Xia. She could not be present as an observer in court today, but I still want to say to you, my dear, that I firmly believe your love for me will remain the same as it has always been. Throughout all these years that I have lived without freedom, our love was full of bitterness imposed by outside circumstances, but as I savor its aftertaste, it remains boundless. I am serving my sentence in a tangible prison, while you wait in the intangible prison of the heart. Your love is the sunlight that leaps over high walls and penetrates the iron bars of my prison window, stroking every inch of my skin, warming every cell of my body, allowing me to always keep peace, openness, and brightness in my heart, and filling every minute of my time in prison with meaning. My love for you, on the other hand, is so full of remorse and regret that it at times makes me stagger under its weight. I am an insensate stone in the wilderness, whipped by fierce wind and torrential rain, so cold that no one dares touch me. But my love is solid and sharp, capable of piercing through any obstacle. Even if I were crushed into powder, I would still use my ashes to embrace you.

My dear, with your love I can calmly face my impending trial, having no regrets about the choices I've made and optimistically awaiting tomorrow. I look forward to [the day] when my country is a land with freedom of expression, where the speech of every citizen will be treated equally well; where different values, ideas, beliefs, and political views ... can both compete with each other and peacefully coexist; where both majority and minority views will be equally guaranteed, and where the political views that differ from those currently in power, in particular, will be fully respected and protected; where all political views will spread out under the sun for people to choose from, where every citizen can state political views without fear, and where no one can under any circumstances suffer political persecution for voicing divergent political views. I hope that I will be the last victim of China's endless literary inquisitions and that from now on no one will be incriminated because of speech.

Freedom of expression is the foundation of human rights, the source of humanity, and the mother of truth. To strangle freedom of speech is to trample on human rights, stifle humanity, and suppress truth.

In order to exercise the right to freedom of speech conferred by the Constitution, one should fulfill the social responsibility of a Chinese citizen. There is nothing criminal in anything I have done. [But] if charges are brought against me because of this, I have no complaints.
Thank you, everyone.

Based on a translation by J. Latourelle.

Thursday, December 03, 2015

No Time To Lose

Wow. gots to give Washington Post some props on this ground work, incredible journalism in so little time. They be on the case. We live in a society now that compares none other, if not so catastrophically more, to what Churchill did with England in WWII and Roosevelt faced in the SoPac with Pearl Harbor and Kamikaze incidents that led to the necessity of Enola Gay. Thank you WP.

WP article here

Thursday, June 25, 2015

Ink the Ballot!

In times past, I had a hard time conforming to the “belief” and or, legitimacy of the utility of social media. After all, during the late 80s thru the 90’s the Village Voice made good “doe joes,” $$, on “call in” dating message boards, followed by numerous back page 900 “dial a date” services ads that charged comparative doe joes - 99cents a minute to listen to “hopeful” horizons, other parties of interest.
Then, there was the fact that I don’t have any, ANY, tattoos. And given that, while I most handsomely appreciate being devoid of inksome, 4 out of 5 of most FB makers, are inksters. And that’s cool. No dis. Yet I have to wonder. How many tattoos does Mark Zuckerberg have? Meanwhile, one should hope Zuckerberg and his FB fan club can make the ink count where it really “counts” in our democracy, on the Ballot, save the skin. And really “ink,” or rock, the “Vote.”
Meanwhile, “My Man Bernie!” rocks for me.

Sunday, May 10, 2015

Happy Mother's Day 2015

On Mother's Day, I never have enough time on my hands - to do, or say, how much I love you, miss you, or can thank you for so, so much. Miss you!

Friday, January 09, 2015

Book of Mormon Musician recounts Real Time and Real Life similarities.

Great story by fellow NY musician. .

Fiction vs. Reality

SMILES AND STRUMMING: Ugandan children experience the joy of playing music.
SMILES AND STRUMMING: Ugandan children experience the joy of playing music.
This is a story of how fiction met reality. I have spent my entire adult life – starting when I was 22 – working in the theatres of Broadway as a rehearsal pianist, keyboard player, conductor and music director. I have worked on shows that have run 10 days before closing, and some that are still running to this day. In 2011, I had the chance to become part of a new show written by Trey Parker, Bobby Lopez and Matt Stone, called “The Book of Mormon.” My parents couldn’t help but point out that the title of the show alone would fate it to be one of the shorter runs of which I had been a part. To everyone’s surprise, including myself, the little foul-mouthed show I had jumped aboard become a smash hit with sold-out houses every night. I consider myself lucky indeed.


Original post by Local802afm.org
http://www.local802afm.org/2014/12


Sunday, December 28, 2014

Info To Consider When Posting Covers on Content Streaming Sites

Helpful Preliminary Info for posting "Cover" songs on Youtube or elsewhere. 
(repost of notes by Eliot )

".. Bexy's response is misleading.

It may be true that YouTube won't flag you for using a karaoke track, if it isn't exactly the same as the original.

However, it isn't strictly *legal*.

First, there is the song itself. It is owned by a composer, writer, and publisher (sometimes all the same person). These people spent time making the song, and want money whenever the song is used. If it were you, you'd want the same thing.

Bars pay a fee to play the radio (BMI and ASCAP), so do restaurants. The money is divided among all of the members of their organizations.

When a song is on YouTube, YouTube uses algorithms and reporting to determine if a song is the same as a copyrighted song. If it is, it will be flagged, depending on whether or not the artist is exerting their copyright. This could lead to an account being closed if it happens too often.

Some cite seeing cover songs as a reason to believe it's okay to rerecord a song. Technically, this is true, if you do what they do, which is pay for the privilege. Most artists make their songs available on Harry Fox, a clearinghouse for use rights. Basically, artists say "sure, you can cover my songs, here's what it will cost, and you don't have to ask me each time, just pay here." When a cover artist makes their album, they first look to see if the songs are available and what the cost is, usually it's a multiple of how many units they plan to sell, and often it's not a huge amount. They pay ahead, hoping to recoup the costs with album sales.

Note that this is for a re-recording of the song, not using the original recording as their back-up track. I am unaware of any artist making their backing tracks available for people to cover their songs, they expect you will hire musicians or redo the backing tracks yourself, even if you plan on making it sound exactly the same. One reason for this is that the song writing rights are separate from the song recording rights. If I record a song I haven't written, I own the recording rights, so that people have to ask me to use my recording. But, if it's a cover, they also have to ask the original writer of the song.

Now we come to karaoke. Karaoke companies also have to obtain permission from the writer to use their music. They pay fees for this (unless they are operating illegally, which there is some question about that). Technically, they pay for both words AND music, although some companies try and skirt the words fees by putting in incorrect words. After all, the singer in the bar or home is the one singing, who knows what they will say? It's bogus, but some companies get away with that.

Now, when you go to a karaoke bar that either uses CDGs or a computer, the host has paid for those CDGs, and therefore is allowed to use them wherever they perform. If they are using a computer, karaoke companies have a new thing that they do which is to demand a license fee unless you can prove you own the CDGs and only are using the songs at a single show. Otherwise, there is a separate fee for buying digital karaoke tracks, and often it's something that has to be renewed at great cost to legitimate hosts.

Now, what do you think? Do you think it's a good idea to put a karaoke track in the background of your YouTube song? Odds are the music is very close to the original; close enough for YouTube's algorithm to match it to the original song. That means you are in danger of a copyright infringement there. Next, you have the karaoke companies who are realizing they have an interest to protect. If your posting becomes popular, it's only a matter of time before the karaoke company may learn that you are singing to their track on YouTube, thus infringing on their copyright.

Even if you don't make any money, you are using their actual work to create something new, and YouTube gets a benefit from that. However, YouTube didn't post it, you did, so if asked, they will pull it down to avoid any nasty legal business.

Where things get a little hazier is if you perform the music yourself. Technically, that would also be an infringement, but in practice, most artists don't mind that kind of infringement and don't follow up so long as you aren't making any money directly. They see the benefit of allowing you to do this, as they get some exposure and you have to work pretty hard to use it.

When it comes to posting a song with graphics on YouTube, that is a little bit different now, because a lot of artists have a deal with YouTube the same way they do with bars and restaurants. If an artist agrees, then ads that are run on their songs will give them revenue, or even allow them to promote new works. Some artists see the benefit, and so those uploads stay. Artists that don't will have YouTube remove those videos.

The bottom line: no, you shouldn't use pre-recorded karaoke tracks to sing songs on YouTube, because technically it is illegal, and it's likely YouTube will pull them.

If you were going to ignore this advice, then at least try to limit yourself to music that YouTube has arranged to allow on its site:

http://www.youtube.com/audiolibrary

There are plenty of songs that you could use in a video, so it's likely (although no guarantees) that you could use a karaoke track of the same song and nobody would blink. But do so at your own risk.

Finally, if at any point anything you do on YouTube is flagged or removed, think VERY carefully. Your best choice is to just stop doing whatever it was, as YouTube is not very nice to repeat offenders. If you think you're in the right, you can contest the pull down, and sometimes it works. But in all likelihood, you should just let it go and do something else.

And there are also sites which have done all the license work for you. Check out:

http://www.youtube.com/user/TheKARAOKECh...

They appear to allow you to record songs, some for free, off of their site. I believe that means you could then upload the results to YouTube, but YMMV

Source(s):

 
 credit:
https://answers.yahoo.com/question/index;_ylt=A0LEVvWLJ6BUbQkAvJMPxQt.;_ylu=X3oDMTByNzA1YWV1BHNlYwNzcgRwb3MDOQRjb2xvA2JmMQR2dGlkAw--?qid=20100903001130AAqGguV#

 
 
 

Monday, November 10, 2014

No Phone is In!


"No Phonies," (or phun intended)  have made some serious headway in western tech and cultural trends over the last month. If Madison Ave should ever get a hold of this, like the "Pet Rock" -  it could start a fire storm, if not a revolution in social change and the way modern people and consumers communicate! Check out the best "selfie" tech in town with their "real time selfie" feature. It's only 6 bucks extra. 

Created by Van Gould, Ingmar Larsen and Ben Langeveld, the team has reached well over 300% of their initial Kickstarter IKO (Initial Kickstarter Offering).. Meanwhile, orders and ink continues to rise.

http://www.nophonestore.com


Tuesday, October 21, 2014

Singing Nun Ya!

Singing Like a Virgin Nun tops any Vatican PR I've known in recent months. Brilliant! http://youtu.be/r0e8Uve7cJU. Cant wait to hear her and pope's duet cover of "Parigi, o cara, noi lasceremo" from La Traviata!
Ya.. Just in time for ‪#‎octobercoversongs‬ month.

SPLIT-LEAF BLUE SEPTEMBER

SPLIT-LEAF BLUE SEPTEMBER John Michael Pendley In mid-September 1968, fifty years ago, a plant, “ Philodendron,” arrived at my fam...